Lisa McShane - Northwest Landscapes, Artist Statement

Bio

Lisa uses layers of oil paint to capture light and water. 

One of her paintings, The Sun Sets on the Slope of the Horse Heaven Hills, was on exhibit in the American Embassy in Yemen for several years. Mountains at Dusk is in the collection of the Washington State Governor's Mansion in Olympia, Washington. In 2015 she was the Artist in Residence at Petrified Forest National Park and in 2017 was the Artist in Residence at Grand-Canyon-Parshant National Monument.

Her studio is on Samish Island.



Artist Statement

I paint landscapes to capture light and to convey a powerful record of the world I see. 

These lands are at my core. In northwest Washington I capture the crystal clear light, early dawn, cold northern lakes, fog and long, dark shadows of winter. In eastern Washington I convey the stark beauty of this exposed, eroded land using a saturated, luminous light so that I can give form to my memories.

The rich light falling on the shrub-steppe, hills and coulees are among my earliest visual impressions. Watching the ribbon of road carve through yellow fields was the map of my childhood.

Today I work to convey the world that I see. My goal in painting landscapes is not to document a place but to convey atmosphere, memory and the power of the land and light.

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Bio & Statement

Bio

Lisa uses layers of oil paint to capture light and water. 

One of her paintings, The Sun Sets on the Slope of the Horse Heaven Hills, was on exhibit in the American Embassy in Yemen for several years. Mountains at Dusk is in the collection of the Washington State Governor's Mansion in Olympia, Washington. In 2015 she was the Artist in Residence at Petrified Forest National Park and in 2017 was the Artist in Residence at Grand-Canyon-Parshant National Monument.

Her studio is on Samish Island.



Artist Statement

I paint landscapes to capture light and to convey a powerful record of the world I see. 

These lands are at my core. In northwest Washington I capture the crystal clear light, early dawn, cold northern lakes, fog and long, dark shadows of winter. In eastern Washington I convey the stark beauty of this exposed, eroded land using a saturated, luminous light so that I can give form to my memories.

The rich light falling on the shrub-steppe, hills and coulees are among my earliest visual impressions. Watching the ribbon of road carve through yellow fields was the map of my childhood.

Today I work to convey the world that I see. My goal in painting landscapes is not to document a place but to convey atmosphere, memory and the power of the land and light.

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